This work is really a triumph that masters the principle aims of its genre. A successful landscape should aspire to setting a mood, honestly reflecting the natural surroundings, and adding just a touch of the uncertain, the imperfect, the sublime. This painting accomplishes all of this with flair. The inside-out symmetry that is cut by the oblique path and interplay of the autumn-colored tree lofts with the soft and damp forest floor create an interesting moodiness that befits the title of the work. It is easy to tell that the artist has put in a lot of time into shaping details like the leaves and the fence posts, and it really pays off in creating an overall temperament that suits this magical time of year. This is an extremely well done landscape that seems to split the difference between romantic tone and impressionist brushwork.
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Judge's Comments:
This work is really a triumph that masters the principle aims of its genre. A successful landscape should aspire to setting a mood, honestly reflecting the natural surroundings, and adding just a touch of the uncertain, the imperfect, the sublime. This painting accomplishes all of this with flair. The inside-out symmetry that is cut by the oblique path and interplay of the autumn-colored tree lofts with the soft and damp forest floor create an interesting moodiness that befits the title of the work. It is easy to tell that the artist has put in a lot of time into shaping details like the leaves and the fence posts, and it really pays off in creating an overall temperament that suits this magical time of year. This is an extremely well done landscape that seems to split the difference between romantic tone and impressionist brushwork.